Lecture Notes in Education Psychology and Public Media
- The Open Access Proceedings Series for Conferences
Lecture Notes in Education Psychology and Public Media
Vol. 1, 26 December 2021
Open
Access | Article
On the Media Difference and Media Resemblance from Drama to Film in “Mr. Donkey”
* Author to whom correspondence should be addressed.
Abstract
Drama and film have a lot of differences in media expression. The differences in the treatment of contradictions, the treatment of plots and the construction of characters between the film "Mr. Donkey" and the drama "Mr. Donkey" can reflect the media differences between the drama and the film. First, drama emphasizes the stage, while film emphasizes the sense of reality. Second, the conflict of drama is concentrated, while the conflict of film is progressive. Third, drama is about integrity, while film is about focus and detail. Fourthly, the climax of drama often includes the dramatic actions of characters, while the climax of film can be interpreted through audio-visual language.
Keywords
Mr. Donkey, film, drama, media
References
1. Li Jiuru. Donkey Getting Water: Historical Allegory, Enlightenment Posture and "Carving the Curious" Tragedy [J]. Film Art,2017(01):66-70.
2. Cai Ping. Narrative Difference from Stage to Screen -- On the Film Adaptation of Drama Donkey for Water and Hello Madman [J]. Sichuan Drama,2017(07):94-96.
3. Wu Hongrui. Visual Language Analysis of Donkey Getting Water [J]. Peony,2020(16):152-153.
4. Yuan Wen Tai. Changes of "Controversy" -- Inside and Outside the Text of Donkey Getting Water [J]. Contemporary Film,2016(12):32-34+97.
5. Zhu Ru. The Donkey Got Water: A New Try to Breakthrough the Domestic Satirical Comedy [J]. Film Review,2016(23):32-34.
6. Liu Fang. On the Breakthrough of Chinese Comedy Films from Donkey to Water [J]. Journal of Writing and Editing,2016(06):146-147.
7. Chang Yanyi. Analysis of the IP Era of Drama from the Perspective of "Happy Mahua" Donkey Getting Water [J]. Drama House,2017(07):131.
8. Han Yinjie. Analysis of Narrative Space in the Film Mr. Donkey [J]. Journal of Wuhan Metallurgical Management Cadre Institute,2017,27(02):94-96.
9. Tao Zi. Donkey Getting Water Integrates Absurdity into Realism [J]. Chinese Drama,2012(11):52-53
10. Jiang Jinjin. Is a Drama and a Film -- A Brief Discussion on the Film Mr. Donkey [J]. House of Drama,2017(17):107.
Data Availability
The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Authors who publish this series agree to the following terms:
1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this series.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this series.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See Open Access Instruction).
- Volume Title
- Proceedings of the 2nd International Conference on Educational Innovation and Philosophical Inquiries (ICEIPI 2021), Part 1
- ISBN (Print)
- 978-1-915371-00-3
- ISBN (Online)
- 978-1-915371-01-0
- Published Date
- 26 December 2021
- Series
- Lecture Notes in Education Psychology and Public Media
- ISSN (Print)
- 2753-7048
- ISSN (Online)
- 2753-7056
- DOI
- 10.54254/2753-7048/1/ICEIPI_186
- Copyright
- © 2023 The Author(s)
- Open Access
- This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited