Lecture Notes in Education Psychology and Public Media

- The Open Access Proceedings Series for Conferences


Lecture Notes in Education Psychology and Public Media

Vol. 47, 03 April 2024


Open Access | Article

A Brief Analysis of the Perfect Integration of Narrative Elements and Space-time Construction

Danqi Wang * 1
1 China West Normal University

* Author to whom correspondence should be addressed.

Advances in Humanities Research, Vol. 47, 226-230
Published 03 April 2024. © 2023 The Author(s). Published by EWA Publishing
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Citation Danqi Wang. A Brief Analysis of the Perfect Integration of Narrative Elements and Space-time Construction. LNEP (2024) Vol. 47: 226-230. DOI: 10.54254/2753-7048/47/20240984.

Abstract

As a comprehensive art, film often has the dual attributes of time and space. "Time and space" is one of the most special and free features of film, and it is also the basic element and main content of film narrative, and it is also the necessary condition for the audience to establish the imagination space. From the perspective of narratology, this paper will analyse the text of several domestic films in terms of their thematic narrative space-time construction and the design features of narrative elements, study the specific integration and practical application of lens narrative and space-time construction, and through the examination and analysis of the film's thematic content, reveal the imaging expression and thinking mode of different films, so as to help people better understand and explore the narrative art of different contemporary films. Structure. The construction of film narrative space-time should become a basic instinct of creative practice, conveying the performance of narrative space-time in specific works and clarifying the diverse forms and nature of the film and television means presented, as well as putting forward further effective suggestions on the time-space dimension and elemental shaping of film narrative in line with the requirements of the times, and endeavouring to incorporate this kind of experience into the creation of more specific film narrative practice in the future. The film will also endeavour to incorporate such experiences into the creation of more specific film narrative practices in the future.

Keywords

film narrative, spatio-temporal construction, element design, practical Creation, development proposals

References

1. The Multiple Construction of Narrative Space in the Film Youth Cai Hongquan; - Sight and Sound – 2019

2. Dynasty Zhu, "Densely Inked and Coloured to Flaunt the Righteousness of the Revolution - Me and Tianjin Television", China Art News, 4 March 2015

3. Li Zhun, "The Quest for Epic Character," Guangming Daily, 4 November 1999

4. Zhan Qingsheng. Battle of Chosin Reservoir: Panoramic Narrative and Community Imagination in a War Masterpiece [J]. Film Art, 2021(05): 61-64.

5. Deep Focus on Li Danfeng: Capturing the Moment of a Falling Star in the Bottomless Pit of Sound. Contemporary Cinema, No. 2, 2020

Data Availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

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Volume Title
Proceedings of the 2nd International Conference on Social Psychology and Humanity Studies
ISBN (Print)
978-1-83558-367-8
ISBN (Online)
978-1-83558-368-5
Published Date
03 April 2024
Series
Lecture Notes in Education Psychology and Public Media
ISSN (Print)
2753-7048
ISSN (Online)
2753-7056
DOI
10.54254/2753-7048/47/20240984
Copyright
03 April 2024
Open Access
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited

Copyright © 2023 EWA Publishing. Unless Otherwise Stated